Legal Services India - Law Articles is a Treasure House of Legal Knowledge and information, the law resources is an ever growing database of authentic legal information.

» Home
Sunday, April 28, 2024

Bombay HC Orders Television Channels Maha Movie And Manoranjan TV To Abstain From Broadcasting Zee Owned Films Jung And Kartavya

Wed, Jul 29, 20, 11:58, 4 Years ago
star star star star star
0 out of 5 with 0 ratings
comments: 0 - hits: 5808
Zee Entertainment Enterprises Limited Vs Teleone Consumer Product Pvt. Ltd in exercise of its ordinary original civil jurisdiction has ordered the television channels Maha movie and Manoranjan TV to abstain from broadcasting Zee owned films – Jung and Kartavya.

It has to be stated right at the outset that in a major and significant development, the Bombay High Court in a recent, remarkable and righteous decision titled Zee Entertainment Enterprises Limited Vs Teleone Consumer Product Pvt. Ltd. & Ors. in exercise of its ordinary original civil jurisdiction in its commercial division delivered on 16th July, 2020 has ordered the television channels Maha movie and Manoranjan TV to abstain from broadcasting Zee owned films – Jung and Kartavya. Very rightly so!

This commendable judgment was delivered after the entertainment media giant – Zee Entertainment Enterprises Limited (ZEEL) moved the Bombay High Court to restrain the television channels viz Maha Movie and 'Manoranjan TV' from broadcasting its films namely Jung (1996) starring eminent film stars – Mithun Chakraborthy, Ajay Devgan, Aditya Pancholi and others and Kartavya (1979) starring eminent film stars – Dharmendra, Rekha, Aruna Irani and others, without obtaining license from ZEEL for the same.

To start with, this notable judgment delivered by Justice KR Shriram of Bombay High Court sets the ball rolling by first and foremost pointing out in para 1 that, The present action is filed by plaintiff claiming infringement of plaintiff's copyright in two cinematograph films Jung and Kartavya by defendants who are broadcasting the movies on their respective television channels without any permission from plaintiff.

To be sure, it is then stated in para 2 that, The papers and proceedings in the present matter have been served by plaintiff upon defendant nos. 1 and 2. Plaintiff has e-filed affidavit of service dated 13th July 2020 in respect thereof. Further, the intimation of listing of matter on 16th July 2020, the link of today's hearing and the causelist has been served by plaintiff upon defendant nos. 1 and 2. Plaintiff has e-filed affidavit of service dated 16th July 2020 in respect thereof.

To say the least, para 3 then goes on to say:
It is stated that plaintiff company is engaged in the media and entertainment business inter alia of procurement, development, distribution and dissemination, broadcast/re-broadcasting of music, entertainment television programs, including cinematograph feature films, serials, talents hunts, reality shows through satellite, terrestrial and cable channels, through Direct to Home (DTH) using existing and emerging technologies and distribution platforms and is the owner/operator of several leading Indian television channels such as Zee TV, Zee Cinema, Zee Marathi and Zee Talkies.

While elaborating in detail, para 4 then states: It is stated that the Suit Films, i.e. Kartavya and Jung, were released in the Indian cinemas in the years 1979 and 1996, respectively. Copies of Censor Certificates issued by the Central Board of Film Certification in respect of the Suit Films are at Exhibits A1 to A2 to the Plaint. By and under a Film Assignment Agreement executed between Soham Rockstar Entertainment and plaintiff, plaintiff acquired exclusive liner rights on demand rights, local cable distribution rights, catch up TV rights, syndication rights, editing rights, promotion rights, dubbing rights, subtitling rights, doordarshan rights, home video rights, subtitling rights in all languages of the world including Indian languages, and non-exclusive performance rights, merchandising rights, dubbing rights and clip rights in a total of sixty four films, including the Suit Films Jung and Kartavya, for a term of 10 years commencing from 19th July 2017 in respect of linear rights, home video rights, local cable distribution rights, subtitling and dubbing rights for Jung; 1st October 2016 in respect of on demand rights for Jung and Kartavya; 15th September 2016 in respect of home video rights and local cable distribution rights for Kartavya, for the entire world, including India and overseas territories. Plaintiff has annexed all the agreements to the Plaint showing how the rights in the said two films have been acquired by plaintiff.

Copy of the Film Assignment Agreement executed between Soham Rockstar Entertainment and plaintiff is at Exhibit J to the Plaint. It is stated that plaintiff has the unequivocal, exclusive and absolute rights under the Assignment Agreement to broadcast/publish the Suit Films on television and/or DTH connections. Plaintiff has annexed redacted versions of the agreements to the Plaint, however, during the hearing today, plaintiff has produced the non-redacted versions of the agreements before the Court in a sealed envelope.

Be it noted, it is then disclosed in para 5 that, According to plaintiff, in end of June 2020, plaintiff learnt that defendant nos. 1 and 2 were broadcasting the Suit Films on their television channels Maha Movie and Manoranjan TV, respectively, without any authorization from plaintiff. Upon collecting data from the Broadcast Audience Research Council, plaintiff learnt that Defendant No. 1 has broadcast the movie Jung thirty seven times and Kartavya thirty two times, and that defendant no. 2 has broadcast the movie Jung forty two times and Kartavya nine times, on their respective channels. Detailed lists of dates and time slots on which the Suit Films have been telecast on defendant nos. 1 and 2's television channels are at Exhibits K1 and K2 to the Plaint.

Most significantly, it is then very rightly held in para 6 that, Prima facie, the unauthorized broadcast/exploitation of the Suit Films on defendants TV channels is a violation of the copyright vested in plaintiff in respect of the said two Films under the said Assignment Agreement. Plaintiff has made out a prima facie case for the grant of interim injunction. If reliefs as prayed for are not granted, plaintiff will suffer irreparable damage and injury.

There are no equities in favour of defendants and the balance of convenience is in favour of plaintiff and against defendants. In the circumstances and in view of the above, plaintiff is pressing for reliefs in terms of prayer clauses – (a), (b) and (e) of the Interim Application, which are hereby granted.

To put things in perspective, it would be worthwhile now to go through para 7 which stipulates that, The prayer clauses – (a), (b) and (e) of the Interim Application read as under:

(a) pending the hearing and final disposal of the present Suit, this Hon'ble Court be pleased to pass a temporary order and injunction restraining defendant nos. 1 and 2, acting by themselves and/or through their servants, agents and/or representatives, from, in any manner exploiting/publishing/broadcasting/communicating to public the Film No. 1 and/or Film No. 2 or any audio or video clip thereof, on any platform and/or any other mode or medium;

(b) pending the hearing and final disposal of the present Suit that this Hon'ble Court be pleased to pass a temporary order and injunction restraining defendant nos. 1 and 2, acting by themselves and/or through their servants, agents and/or representatives, from, in any manner, creating, alienating and/or transferring any rights in Film No.1 and/or to any third party;

(c) pending the hearing and final disposal of the present Suit that this Hon'ble Court be pleased to direct defendant nos. 1 and 2, acting by themselves and/or through their servants, agents and/or representatives, by a temporary order and injunction to suspend future broadcasting of the Film No. 1 and Film No. 2 on their respective channels.

As it turned out, it is then made clear in para 8 that:
Liberty to defendants/recalling this order by giving written notice in advance of at least 5 working days.

Finally, it is then held in the last para 9 that:
This order will be digitally signed by the Private Secretary of this Court. Associate/Sheristedar of this Court is permitted to forward plaintiff copy of this order by e-mail. All concerned to act on digitally signed copy of this Order.

In conclusion, all the television channels must pay heed to what the Bombay High Court has held so elegantly, effectively and eloquently! It is in their own best interest to do so! The earlier they understand this, the better it shall be for them! It is only after obtaining licence from those who owe it as we see in this case that films should be broadcasted! No denying it!

Sanjeev Sirohi, Advocate,
s/o Col BPS Sirohi, A 82, Defence Enclave,
Sardhana Road, Kankerkhera, Meerut – 250001, Uttar Pradesh.

Comments

There are no comments for this article.
Only authorized users can leave comments. Please sign in first, or register a free account.
Share
Sponsor
About Author
Sanjeev Sirohi Advocate
Member since Apr 20, 2018
Location: Meerut, UP
Following
User not following anyone yet.
You might also like
This article seeks to address the loopholes in the TRIPS agreement regarding product patents and EMRs and its negative impact on India and suggest methods to minimize the impact.
Procedure for Removal of Trademark from Registrar under Section 47 of the Trademark Act
A Brief Discussion on Collective Marks mentioned Under Section 61 to Section 68 of Trade Mark Act
Intellectual property is a term referring to a number of distinct types of legal monopolies over creations of mind, both artistic and commercial, and the corresponding fields of law.
The word plagiarism is derived from the Latin word plagium, which means to kidnap or abduct. Plagiarism is an act of plagiarizing.
Strengthening Consumer Protection Against Abuse of Intellectual Property Rights
Copyright is identified as the essential part of any company and the guidelines associated with it are required for defending the makers or different types of styles like music, artistry
Here are a list of things that cannot be Copyrighted in India
Recent emphasis on the effect of the grant of trademark rights on competition has focused largely on
This paper tends to analyze the protection of trade secrets under the different statutes and the laws. This paper also focuses on the need of an hour to have a separate enactment for the protection of the trade secrets.
As a part of WTO Agreement, the implementation of the TRIPS patent regime was the primary requirement in order to enable participation in multilateral trading system. The researcher has given an in depth view of the factors responsible for and outcomes of the TRIPS Agreement.
Copyright Law: Statutory Licence for Broadcasting or Literary And Musical Works And Sound Recording in India
Comparative Advertisement is a relevant field of IPR which is now gaining importance due to the competitive attitude of various traders existing in the market economy.
A Complete guide to How do you Register your Creative work with the Copyright Office in India, quickly and easily - ph no 9891244487
Procedure and Guidelines to Obtain Statutory Licence For Cover Versions of Songs as par Copyright Laws in india
Copyright infringement laws in India have become less effective due to the ease of sharing content over the Web. Music streaming services
Vinay Vats v/s Fox Star Studios India Pvt. Ltd While holding thus, it refused to pass an injunction order, restraining the release of Film 'Lootcase' on Hotstar hours before its scheduled release on July 31, 2020.
This article highlights the significance of the intellectual property rights in the fashion industry and how are they co- related to each other
Sanjay Soya Pvt Ltd v. Narayani Trading Company registration of copyright is not mandatory under the Copyright Act, 1957 for seeking an injunction against infringement.
The law gives protection to fashion designs under two types of IP specifically: copyrights and designs.
Fashion Law is an emerging arena of legal specialty, encompassing various legal issues from IP to contracts to laws relating to the entity and its policies and procedures.
I have tried to enlighten people about the role played by Copyrights law during the global pandemic
Havells India Limited v. Panasonic Life Solutions India Pvt Ltd that a plea of passing-off cannot be negated solely on the ground that the plaintiff had asserted trademark rights in the registered designs.
Artificial Intelligence(AI) has been making tremendous strides in recent years on the contrary it also raised questions about copyright laws and how they apply to AI generated work. There is a growing need for clarity in this area. This article provides an overview of the current state of AI and copyright laws in India. G.R. SRIKKANTH
Top